Alien3 (1992)

This film is probably the least successful of the Alien series of films. It takes off from the end of Aliens (1986), with the survivors of the previous film in suspended animation aboard the spaceship headed home. However a couple of alien eggs have been laid on board the ship and there is a "facehugger" around (kind of like a cross between a spider, crab and disembodied hand, coloured yellow with a long tail). It tries to get into the suspended animation capsules but injures itself, causing it's acid blood to burn the floor, setting off the ship's smoke detector, which causes the computer to automatically load the suspended animation capsules into an escape pod and launch it at the nearest inhabited planet, which just happens to be Fiorina "Fury" 161, a mineral ore refinery which is also a maximum security, male-only prison colony, where the peace between the two prison guards and the prisoners is maintained through the prisoner's home-grown brand of Christian fundamentalism, lead by the prisoner's leader Dillon (Charles S. Dutton). While Ripley (Sigourney Weaver), the only survivor of the landing, recovers in the infirmary, and becomes close to the sympathetic doctor Clemens (Charles Dance), it turns out that one of the facehuggers got on the escape pod and has already infected a dog. Soon a fully grown alien creature is loose in the prison.

This film marked the feature debut of director David Fincher who was then best known for directing pop music videos and commercials. The film had a very troubled production history. At one time it was supposed to be set on Earth, and an early series of teaser posters were printed with the tagline "On Earth everyone can hear you scream." Acclaimed science fiction author William Gibson wrote a script for the film where Ripley spends most of the film in a coma and the aliens are not featured at all while New Zealand film-maker Vincent Ward wrote a script set on a wooden planet which is home to a group of monks who shun all forms of technology and live a medieval life style. Ward's version was approved by the studio and creatures were designed and sets were being built when the studio decided to pull the plug. Famous British novelist and film-maker Clive Barker was courted by the studio but he didn't think the aliens were interesting enough monsters. The final shoot was turbulent enough, and David Fincher has now disowned the film claiming constant studio interference and walked off the production before editing began.

The finished film is very frustrating because it never gets as good as it should be. It shows signs of very heavy cutting, particularly in the final third, and it's worth noting that the "Assembly Cut" available on DVD is half an hour longer than the theatrical version.

The film is unremittingly grim, featuring a dull colour palette of mostly brown, grey, and green. Almost all the characters have shaven heads (because of a lice problem on the planet). In fact, the theme of the film seems to be how horrible the prison colony is, and everything else seems to be secondary. The alien itself seems almost to be an afterthought, and although the production design is impressive and the film does feature some striking visuals, the story is severely lacking. With a few exceptions the characters are too interchangeable and unlikeable to really care about. The deaths of two well-liked characters from Aliens is curious, but not very effective. Another bizarre idea that doesn’t really work is that the alien takes on physical characteristics of it’s host.

It does have it’s moments however, and there are some striking elements, in particular a sequence where the funeral service for the two people killed in the escape pod crash is intercut with the baby alien bursting from the dog. It is worth watching, but is more of a curio for fans of the Alien franchise that anything else.

-Robert Foster

Other Thoughts: Mark Moreland

 

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Director: David Fincher
Writer: David Giler & Walter Hill, Larry Ferguson, Vincent Ward, Dan O'Bannon, Ronald Shusett
Starring: Sigourney Weaver, Charles S. Dutton, Charles Dance, Paul McGann, Brian Glover, Ralph Brown
Distributor: 20th Century Fox
Runtime:
114 min
Rating:
R
Release Date:
May 22, 1992

  Oscar Nominee: Visual Effects

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